"Battleship" sinks
Move over sequels, reboots, remakes and movies based on books – Hollywood's taking its inspiration from its dusty shelf of children's games now. What could possibly go wrong?
The answer, for those of you who don't like rhetoric, is something more than "a lot" and just short of "everything." This shiny waste of theater screen real estate stars Taylor Kitsch as Lieutenant Alex Hopper, a plays-by-his-own-rules naval officer who gets tasked with saving the world after a high-tech alien force barricades Hawaii and its surrounding water space in a forcefield dome.
That premise would be more than enough to hold over a normal big-budget B-movie, but "Battleship" isn't content to simply cruise through charted action waters. It'd rather detour through a dragging introduction about Hopper, his girlfriend and his brother, a move that does absolutely nothing to forward the plot or develop the movie's oppressively one-dimensional characters. "Battleship" wasted a whole half hour explaining just how much of a screw-up Hopper was in dialogue when five minutes of subsequent action conveyed the same.
Just when the action starts up and it seems the film's "Screenplays for Dummies" approach is finally about to pay off, the hyper-explanations stop. The audience learns early on that scientists have beamed some kind of communication beacon in the direction of a potentially life-sustaining planet, but is left hanging on why the aliens answered it. Eventually the aliens' objectives get worked out, but it comes far too late and completely ignores their original motives for showing up in the first place (Scouting mission? World domination? Meh, let's just shoot 'em.).
Instead, viewers are supposed to be placated with fancy CGI of the aqua-Transformers ships, which resemble a cross between a waterbug and a souped-up robo-Bowser from Super Mario. The aliens themselves are also a let-down. Coming from an Earth-like planet I guess the designers can get away with making them humanoid, but th…
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